Stezaker's portraits reminded me of my earlier facial symmetry portrait. Where I blended both halves of myself seamlessly, it created a disturbing effect as we can only recognise a single individual, and while the transition is obvious between both photographs in Stezaker's work, it makes for an effective juxtaposition as one is able to determine two individuals for a less unnerving portrait.
While I am fond of Stezaker's work, I don't want to just replicate his concept and so I will think of other techniques if I am to continue this idea.
You can find more of John Stezaker's work here.
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