Home/Island Ideas #02

Some more development with Volan's home and island. These early sketches attempt to capture the idea that the home has been adapted and modified to expand the space of the house and power the flight of the island.




While the earlier idea of having a ring of propellers built into the island remains an interesting concept, I felt it would be too impractical to the island as a whole.




From the two more refined designs below, I am leaning towards the designs found in house B, with its practicality and overall form. A small number of gears protrude from the left side of the house to power the propeller below, where Volan can use the roof balcony to search the skies.



Applying the house design to the island below, the large balloons maintain the lift of the island where the propeller and rudders provide the forward momentum, turning and pitch capabilities respectively. The island is further shaped in an arch fashion so as to further amplify the force of wind through the propeller. Some ideas to items and props around the island include; an area for growing vegetables, fishing rods on the edge of the island, an array of buckets to collect rain water, as well as crates and barrels for storing food and materials.




To wrap up this post, a point of reference to the eccentric nature of the house and island is similar to the themes found in Chitty Chitty Bang Bang (1968). Check out the video below with the opening scene of the house, and around the 3:30 mark with the variety of quirky contraptions.

Home/Island Ideas #01

Exploring initial ideas of Volan's home and island with some rough sketches. These early sketches experiment with the idea that Volan's home has been adapted and modified to expand the space of the house, as well as initial musings into the system of flight of the island.




Including ideas for the island, designs A - D (see image below) explore some initial ideas with propellers, hot air balloons and sails. In the case of design D, the island itself is shaped to work in more unison with the propellers, accommodating the blades below. Idea E uses the hot air balloons underneath the island to propel the island upwards, where idea F uses multiple levels of helicopter type rotation built into the island for flight.




One of the main challenges to solve is whether the house is a main component of flight i.e. literally accommodating a sail or hot air balloons in its design, or is rather a component that powers the system of flight being more apparent around the island. Essentially, it may be a case of treating the designs of the house and the island very closely together, or perhaps as one, in order to achieve a coherent design as a whole.

Isle of Cirrus Project Proposal

The project idea arranged as formal project proposal document. I've decided to run with the project title Isle of Cirrus and the protagonist name Volan for now - Cirrus being a type of cloud and Volan meaning in latin 'to fly'.

Isle of Cirrus Project Proposal

Flying Machines and Wind Turbines

I've been looking into various flying technologies and possible energy sources that may power the flight of the island. While the design does not have to be necessarily possible in the real world, it is worth exploring in order to ensure a degree of believability to the design as a whole.

Initial thoughts include a combination of two systems running through the house and island, one providing lift (such as hot air balloon) and the other forward momentum (propellers). Ideally, the effect will not be something too sci-fi or necessarily steampunk, but rather to capture a whimsical element to the design as a whole.



It is worth noting that the flying island is meant to be designed and built by the protagonist, leading to a self assembled aesthetic.


A common theme for flight and renewable energy is with propellers and turbines to harness the power of the wind. As such, these could be present around the house/island as a means to collect energy or provide lift.

A typical turbine with a straightforward ring that more than doubles the output power.


Spiral turbine design


A helix type design


A turbine that floats in the air to maximise the air flow at higher altitudes. More details on this intriguing design can be found here and here.


Interesting shape of turbine that can turn in the wind


As well as a more lo-fi version


Integrating the flight system with the house and island as a whole will be a key factor in this project, and as such I will be making sure to dedicate time to this aspect to ensure that the design is right.

The Protagonist + Home

Here is my current line of thinking into the background and context of the protagonist and his home, which will help fuel the designs as a whole.

Protagonist
My initial thoughts for the protagonist is to be of a 'coming of age' male, reflective of a pioneering spirit. Originally a farmer, he had a variety of tools and equipment at his disposal to adapt to the flooded world. But now alone and isolated, he roams the skies in search for land and signs of any other survivors. Additional thoughts for details include props such as a telescope to pouches.



Home/Island
The home of the protagonist has been adapted to power and maintain the flight of the island. With limited space on the island, the modifications also serve to maximise the space of the house. As such, initial impressions of the house are of a quirky design with a variety of different materials the protagonist would have managed to collect in his travels.



Identifying the system which keeps the house and island in flight will be key to the logic and design of the home as a whole, which I'll dedicate and post to later with more research.

Idea Development

After some welcome feedback, the scope of the project has developed in a way that should be much more manageable.

The idea and context of the piece persists, where now the final outcome of the project will be to create a short scene of the animation (akin to an animated still image) capturing a moment of flight of the protagonist and his island. This may involve a single camera movement slowly revealing elements of the animated image to suggest the narrative of the piece.

This breaks down the main challenges of the project to:

• Character
• Environment Home/Island
• Animation of flight (secondary objects)
  

In this way, the narrative is found within the image, rather than told as a grand structured narrative as a whole. More time can also be dedicated into strengthening the design and the animation as a whole.

I'll organise a formal project proposal soon enough, while continuing to get things moving with research and references.

Final Major Project Idea

After much thought, here is my idea for the final major project. It's still in development so some details may need some more thought.

Goal
An animated short of roughly 2 minutes length (subject to change).

Context Only
The world has been flooded as sea levels have risen, land has become a rare commodity. Existing parts of land are now 'flown' by individuals. These flying/floating islands are powered by a whimsical element that is yet to be determined, but could be wind, steam or a unique material.

For the actual animation, we will only be focusing on a main protagonist and his own flying island, containing his home that has been expanded with an array of scrounged materials.

The Animated Short
Opening
The animation will begin by slowly revealing the flying island of a main protagonist, quite high in the air with the sea being partially visible below. Shots introducing the home and the contraption that is keeping it in flight will be key in setting the tone and atmosphere of the piece.

The protagonist is outside the home or on top of highest point, searching through binoculars/telescope for more land to gather more resources and make contact with others.

Trigger
Eventually the protagonist catches a glimpse of another flying piece of land, and adjusts the flight path of his own island accordingly.

However a storm approaches from behind, catching the protagonist off guard. The protagonist's island is engulfed by the storm and is battered by the elements with a fatal blow.

End
We return to find the protagonist floating on the sea amongst the wreckage of his home and island. As the water level continues to rise, the protagonist seems resigned to his fate as there is nothing he can do. When all seems lost...

Option 1
...A ladder drops down above the protagonist, leading to the island he spotted earlier flying above to rescue him. A silhouetted figure waves and awaits up top.

Option 2
...A submarine type vehicle rises from the water, with the hatch opening to rescue the protagonist and revealing another way humans have adapted to survive the flooded world.

As the protagonist meets his saviour, a much larger island (or underwater world) is revealed with a thriving community, suggesting that there is hope for humanity yet.

Challenges
The main challenges of this project will include:

• Protagonist Character (Rigging, animation etc)
• Environment of the protagonists Home, Island and props
• Possible environment of saviour's island/community
• Matte Paintings of the surrounding sky/sea
• Secondary animation of props etc.

Sound
Atmospheric and sound effects only
-Possible music played from a radio speaker prop. Would crackle and cut off upon arrival of storm.

Visual Style Inspiration/References
The presentation of the animation would be of a bold visual style with more saturated tones as seen in the below image. This will help reinforce the whimsical concept of the piece.



This idea will fulfil my ambitions of producing an animated short, relying much more on setting the tone and atmosphere of the piece with strong visual design. Research, sketches, thumbnails and storyboards will be to follow if all is in order.

Any thoughts and feedback is welcome.

Final Major Project

Time certainly flies as the last project is upon us for the third and final year at CG Arts & Animation. Over the next 15 weeks or so, we will carry out a self directed project showing the best of our abilities of the CG pipeline. Needless to say, this is the big one.

Project ideas to come soon as I gather my thoughts - so stay tuned!

The Wolves Within

Project is over! Jolanta and I are proud to present The Wolves Within. Big thanks to David Keefe for the soundtrack and Philip Banks for the voiceover!

A fight is going on inside me. It is a terrible fight between two wolves.
One is evil – he is anger, hate, arrogance and greed
The other is good – he is peace, hope, benevolence and serenity.
Which wolf will win?
The one you feed…

The Wolves Within


The making of The Wolves Within.

The Making of the Wolves Within

As well as a little production video providing a peek into the development and process behind the project.




You can find more behind the scenes over at our blog.

Enjoy!

Wolves Within Update

Tough times of late, as I've been super busy getting scenes finalised and rendered as we come to the end of the project. There's still more to do so just a quick update for now - all scenes have been rendered and now I'm stuck in with the final push with compositing. Here's a quick preview of the shrine scene coming together with the many render passes and dynamics.



Hopefully, I'll make a more detailed post about the process when things have calmed down. But right now, back to work!

Key Scene Dynamics

Update on the progress with dynamics over the key sequences of the animation, created using Maya dynamics and post compositing in After Effects. Each dynamic element has to be rendered out separately for optimal control in post compositing, where the environment itself may still look at little rough as they were not rendered at this stage. Some further tweaking and refinements is still necessary as their not quite there yet.

Evil Wolf Dynamics Test

The dynamics are mainly following their influence from the initial concept here. Movements of the dynamics need to be sharper to better reflect the nature of the evil wolf.

Good Wolf Dynamics Test

Following the concepts from here. The markings are being generated randomly with instancing objects, although I'm considering to animate the markings manually for better control (or perhaps a combination of the two). Tweaking to the density of the purple lights may also be in order.

Shrine Dynamics Test

There will need to be two sets of dynamics for when the shrine; one where it is relatively dormant during the opening, to another with a rushing of activity as it beckons the wolves to the soul. The above example is admittedly not quite one or the other as of yet, serving as an experimentation of ideas with ethereal like flames to swirling trails of energy.

Shrine Opening Test #2

Revisions to the shrine opening, with increased speed and acceleration. Still toying with the idea of the fade to black during the narrator's dialogue as you can see in the 4th variation.



Some minor tweaks to the positioning of the rock formations is needed to stop the slight 'popping' towards the end of the pull back.